Norman Foster

Norman FosterNorman Foster is a major contributor to twentieth century architecture both(prenominal) in the westernworld and further afield. After starting his studies in architecture over 50 years ago he has designeda range of buildings (and bridges) and continues to produce outstanding designs today. Aswell asexploring Fosters life this essay will focus primarily on two of Fosters buildings, Creek VeanHouse in Cornwall and the Willis Building in Ipswich (originally the Willis Faber and DumasHeadquarters).Born in Manchester on 1 June 1935 to working coterie parents, Foster was a bright studentwho after attending a private school and a grammar school was pressurised to leave early in order toearn a living. It wasnt until 1956 after working in a bakery, a city treasurers office, a factory,selling furniture, spending while in the Royal Air Force on field of study service and studying commerciallaw that he finally started his studies in architecture.Graduating from Manchester uni versity schoolof architecture and city planning in 1961, Foster won the Henry fellowship to study at Yaleuniversity where he obtained his masters degree and also met Richard Rogers, another Britisharchitect whom he became good friends with. In 1963 Rogers and Foster along with theirrespective wives Su and Wendy formed squad 4, a practice cognise for its spunky-tech designs and thegroup behind Creek Vean House. In 1967 Team 4 ended and Foster and Wendy set up FosterAssociates (now Foster and Partners).Between 1968 and 1983 Foster collaborated on a number ofprojects including the Samuel Beckett Theatre project with Richard Buckminster Fuller whohappened to be one of his idols. Foster called him a lone voice, whose work with geodesicsdemonstrated how building form could be both economic and ecological. Orientation andbuilding form became, for Foster, touchstones in his design of ecological architecture. Michael J. Crosbie, ArchitectureWeek.Foster Associates has produced many well known works such as theSainsbury Centre in Norwich, the Hongkong and shanghai bank, the Millau Viaduct in France, theBritish Museum Great Court in London and the Swiss Re tower in London to name but a few. Over account statement and Theory of Architecture the years Foster Associates has achieved more than 190 awards and won over 50 competitions forits work, in 1990 Foster was Knighted and in 1999 he was honoured with a life peerage giving himthe title Lord Foster Of Thames Bank, in the same year he became the 21 st Pritzker ArchitecturePrize laureate.Creak Vean theatre of operations was the first work of group Team 4, make in 1964, it was commissionedby Marcus Brumwell as a home for himself and his wife who were the parents of Su Rogers. Although Foster has concentrated more on buildings for the workplace, stick outs which showsimilarities to Creek Vean are the Jaffe category and Murray Mews which were also designed by Team4, these buildings are orientated to make the most of t heir views and have large slanting glass walls,similar to the glass walk expressive style and large glass walls in Creek Vean. The Willis Faber Dumas Headquarters in Ipswich was built from 1971-1975 as aworkplace for around 1300 employees.Foster has mostly designed buildings for the workplaceand is very good at blueprint space for employees to enjoy their surroundings. The three storeybuilding is surrounded by a glass facade, similar to that in some of his later buildings such as HearstTower in New York City, the Swiss Re Headquarters in London, the HSBC UK Headquarters inLondon and City Hall in London. The facade also has a curved appearance, with no hard edges orcorners, similar to the Swiss Re and City Hall buildings, the American Air Museum and the newWillis Headquarters in London.Inside the Willis Faber and Dumas Headquarters escalators lead up finished the profound atrium, in Fosters Hongkong and Shanghai bank he uses a similar approach buton a larger scale with a ten sto rey atrium and the escalators leading up to the briny banking hall. TheIpswich building established a couple of themes that Foster returned to in project after project howthe building meets the ground in an accommodating way how light, views, and the internalenvironment can be adjusted and modified and how to introduce green space into an urbanenvironment such as an office building. ArchitectureWeek Creek Vean House is positioned overlooking the Fal estuary in Cornwall on a steepriverbank. The house is made up of two separate blocks at different angles to each other contact lensedtogether by a long glass-roofed corridor which was employ as a gallery. One of the blocks is one storeyhigh and contains the bedrooms and studio and the other block is two storeys high and contains theliving room and dining room, the ground floor ooms are squeeze back into the hillside and the onestorey blocks roof is covered in vegetation, this gives the impression the house is carved into thelandscape . All the main(prenominal) rooms have large sliding doors off the main corridor and are angled so thatthey have the best views possible out over the estuary, this results in the rooms being fan shapedwith very angular corners. The house is constructed of exposed concrete blocks and reinforcedconcrete slabs, the floors are slate. Outside the building, winding steps lead down the slope fromthe access road above the house.They step down through the building over the corridor that linksthe two blocks (the corridor has a solid roof at this point), emphasising the split in the two parts ofthe building and continue down through the garden to a boat house on the shore below. The Willis Faber Dumas Headquarters is situated in Ipswich. unlike many office buildingsit is only three storeys high and is spread out to fit in with the shape of the surrounding streets, withthe curved glass facade showing reflections of the surrounding buildings. On entering the buildingthere is a central atrium wi th escalators leading right up to the rooftop restaurant.Overlooking theatrium are the different storeys with open plan office space, the layout of the office space and factthat it is so open plan gives the workplace a very communal feel. orientation is directyou alwaysknow where you are, one can move freely, the sun penetrates everywhere and there are only a fewvisual barriers. Norman Foster. The building was also built with a rooftop garden and aswimming pool for the employees to use in their lunch breaks but the swimming pool has sincebeen covered with a glass floor.Around the time Creek Vean was built (1964) James Sterling had just built the LeicesterUniversity engineering building (1963). There are similarities between their work, both use a mass ofHistory and Theory of Architecture glass and non standard geometry for walls however where Fosters house tries to blend in with thesurrounding area the University building is very bold and brutal. Another house built around thesam e period is Hanselmann House in Indiana, 1967 by Michael Graves. This house is verymodernist with lots of open spaces and like Creek Vean it uses steps as a link to the house.VannaVenturi House was built between 1962-1964 by Robert Venturi. Unlike Creek Vean which blends inwith its environment Venturis house really tries to make a statement. Around the time the Willis Faber and Dumas Headquarters was built (1971-1975),The Creek Vean House shows similarities to Frank Lloyd Wrights buildings, particularlyFallingwater built from 1935-1937. Wright designed the house around the surroundings, similar toFoster and so it appears that the house is almost growing out of the rock at a lower place it. In both housessteps are used as a passageway from the house down to the water. History and Theory of Architecture